Should my business start a podcast?

Twenty-seven. That is how many people download the median podcast episode in its first week. Which settles the audience question and leaves a better one.

Twenty-seven.

That is how many times the median podcast episode gets downloaded in its first seven days, according to Buzzsprout’s own published platform statistics. To reach the top 10% of shows on their platform you need 412 downloads in that window. The top 25% starts at 96.

So if you launch a podcast and it performs like half of all podcasts perform, your weekly commitment of four hours reaches a couple of dozen people, several of whom are your colleagues.

That settles the audience-building question, and it is the wrong question anyway.

Because a podcast does something else reliably, and it has almost nothing to do with listeners: it is a legitimate reason to get an hour of undivided attention from somebody senior who would never take a sales call. Judge it on the guest list, not on the download chart, and the decision becomes straightforward.

About those numbers

Two caveats, and the first one cuts in your favor rather than against.

Buzzsprout hosts over 110,000 active shows, and that population skews independent and small rather than toward the networks and celebrity programs. Which means it is the population your show would actually join. A figure that included Joe Rogan would be less relevant to you, not more.

Second, a percentile is a position, not an average, and these are first-week downloads rather than lifetime. Episodes accumulate. Their statistics also state compliance with the IAB measurement guidelines, so these are not inflated vanity counts, which is more than can be said for a lot of numbers in this industry.

Nothing here says podcasting does not work. Plenty of shows are in that top 1% at 4,586 downloads an episode, and some of them are businesses like yours. It says the median outcome is tiny, and you should plan against the median rather than the exception.

Distribution is the hard part of the medium, and almost everybody who starts a podcast has planned the production and not the distribution.

What it is actually good at

Here is the mechanism, and once you see it the economics invert.

Send a senior person a cold email asking for a meeting and you are one of forty that week. Send them an invitation to be interviewed about their expertise, for publication, with their name on it, and the proposition changes completely. You are offering them something rather than asking for something.

They say yes at a rate that cold outreach never approaches. You get an hour. You ask about their business, their problems, their category, and they answer generously because that is the format.

At the end of it you have not pitched them, and that is the point. You have had the conversation a salesperson spends six months trying to engineer, and you have it on the record, and they leave feeling well treated rather than sold to.

Over a year that is fifty recorded hours with senior people in your category. As a research asset it is better than anything you could commission. As a pipeline it is better than most outbound. And the published file, the thing everybody thinks is the product, is a byproduct.

So the question is not “will anybody listen”. It is “is there a list of forty people I want an hour with, and would they come on”.

Which changes what you measure

If the guest list is the point, then the download report is not your dashboard.

Count the things that follow from access. How many invitations were accepted. How many guests became customers, introduced you to somebody, or took a second call six months later. How many episodes you could send a prospect as a reason to talk.

That last one is underrated. “We interviewed your counterpart at a company your size, here is what she said about this exact problem” is a far better opening than any sequence, and it is only available if you made the thing.

And watch one number honestly: the number of guests who have gone on to do business with you after twelve months. If that is zero, the guest list was wrong, which is a fixable problem and a completely different problem from nobody listening.

When it genuinely fails

Three cases, and I would walk away in all of them.

Your category has no interesting practitioners. Some categories are genuinely quiet. If the fifteen most knowledgeable people in your field would all say roughly the same reasonable thing, there is no show, and you will discover this at episode six.

You do not enjoy it. This is not a soft factor. Podcasting is a weekly obligation that nobody is making you keep, and a host who finds it a chore produces audible tedium and then quietly stops. If the idea of a conversation with a stranger every week does not appeal to you now, while it is still hypothetical and exciting, it will not appeal in February.

You have not planned past episode ten. Buzzsprout’s own data shows most shows publishing every three to fourteen days, which is a real cadence to sustain. The failure mode is universal: ten episodes of eager guests you already knew, then a dry pipeline, a skipped week, and a show that is technically on hiatus for the rest of time. Book twelve before you publish one.

Notice that none of these is about audio quality, which is the thing people spend their money on first.

The cheaper version of the same idea

If the value is the access rather than the file, you should at least consider the version without the file.

You can run the identical interviews as a written research project. Call it a study of how twenty companies in your category handle a specific problem, interview the same people, and publish a summary rather than an hour of audio. The access argument works just as well, the guests often prefer it, and you have removed editing, hosting, artwork, music and the weekly cadence that kills most shows.

You lose the distribution upside, which, given the numbers at the top of this post, is a small thing to lose. You keep the conversations, which was the whole asset.

I am not saying do not make a podcast. I am saying that if your honest answer to “why a podcast” is the access rather than the audience, there is a version of this costing a fifth as much, and you should price both before committing to the one with the microphone.

Where I come out

Write down forty names. Senior people in your category you would like an hour with.

If you cannot get to forty, you do not have a show, you have an idea for three episodes.

If you can, work out whether you want those conversations enough to do them weekly for a year, and whether you would still want them if literally nobody listened. If the answer is yes, start, and judge it on who said yes rather than on who downloaded it.

If the answer is no, you were hoping for an audience, and the median outcome is twenty-seven people.

If you’d like to think through whether the access is worth the production, or what the cheaper version looks like for your category, drop me a line on email, WhatsApp, phone or LinkedIn and we can have a quick chat, and my notes on content marketing cover the rest. I’m taking on a small number of contracts at the moment, so I’ll tell you straight whether it’s something I could help with.

Say hello

Have a number that is not moving?

I am accepting contracts to help brands grow, and I am equally happy with a conversation that never becomes one. Email, LinkedIn, WhatsApp or a call, whichever is easiest. Tell me what you are running and what it is failing to produce, and you will get a straight answer on whether I am the right person for it.

Or call +91 70199 90776.